Persona & Backstory

Why a Byzantine Persona?

In the real world, this SCAdian wanted to choose a persona where women of the time and place had more rights than other historical periods and kingdoms/countries (to her limited knowledge as an unprofessional historian). Originally looking at Viking options, the realization that there was very good possibility that she would not be able to pronounce her own SCAdian name if she chose to follow the Viking path steered her into looking at some other historical societies. Her search brought her to Byzantium, specifically VIth century. Oaths were made to both Emperor Justinian and Theodora of the Holy Roman Empire under their co-regency. Laws passed under their rule and societal practices, particularly regarding women's rights, made VIth century Byzantium an interesting period to select for a female persona. The time period also became a rabbit hole of other curious information for this SCAdian to fall into, such as the 50+ year whale hunt for Porphyrios (the Byzantine Moby Dick). 

Apart from historical interests, an Eastern Roman persona was selected so that Greek/Roman garb could be comfortably worn in the Caid summers in addition to allowing Viking garb for the cooler coastal-desert and cold inland-desert nights using the history of the Varangian Guard for the Byzantine Emperors (this SCAdian wearing Viking garb anachronistically as the Varangian Guard started to come about roughly 500 years after Nicasia's time). Her move to the East Kingdom with cold New England winters further confirmed that this was a very smart decision. An Eastern Roman persona also made the lion(ESS), this SCAdian's favourite animal, an appropriate selection for Nicasia's heraldry. The time and location allow for some other fun garb choices considering the trade routes throughout the centuries. While this SCAdian is not a Christian herself, much of the beautiful clothing and artwork of this period is Christian-based. Some of Nicasia's garb and many of her accessories reflect this history. 

Nicasia in Battle

from 100 Minutes War 2022, in center with golden basket hilt

Nicasia's Heraldic Device

"Gules, a LION(ess) statant to sinister between three mullets Or, a bordure flory argent" - Juliana de Luna at Pennsic - Date Submitted 2022-Aug-10 

Nicasia & The Honorable Lord Michal Bialy

Persona (Simplified)

An SCA Persona is the creation of a fictional individual, or character, who could have theoretically lived during historical times. 

Nicasia Leontodes is a VIth century female Persona from the Byzantine Empire (aka East Roman Empire or Byzantium), descended from a line of līmitāneī. Her unusual upbringing living under the coregency of Justinian I and Theodora in Constantinople brought her to understand the importance of men and women running the world as intellectual and political equals. In a society where one’s station in life does not often change, various events in Nicasia’s life tell a rare tale of climbing the social ladder from grass to grace in Byzantium.

Nicasia has a slightly Christian aesthetic due to the popular practice of wearing ecclesial depictions through silk textiles, embroidery, and jewelry in noble fashion; though she lives a secular life behind closed doors. While some of the iconographical embellishments of her wardrobe and trinkets depict various biblical characters and religious narratives of Orthodoxy, her upbringing was anything but orthodox. Nicasia can read and speak both Latin and Greek. She is proficient in various forms of swordsmanship and an accomplished businesswoman across the Mediterranean in the Byzantine silk trade. See full backstory below.

St. Julian Rimini Silk

9th-10th century

"This fragment of fabric comes from the tomb of Saint-Julien in Rimini and was probably placed under the head of the deceased, serving as a cushion. If we believe the tradition, this shroud would have been a gift given by the emperor Otto 1st to the Benedictine monastery of Saint-Pierre and Saint-Paul. Another theory, much less credible, tells that the relics of Saint-Julien (died in the 4th century) could have reached the monastery in a chest stranded on a beach, then verified by the religious." - Living History Market

Esztergom Lion Silk

10th-11th century

"The pattern of this magnificent brocade silk is similar to a fresco, found in the castle [chapel] of Esztergom in Hungary, dated 10 - 11th century. The motif is probably in connection with the [Griffins from the Reliquary of] Saint Siviard [Sens, France] silk, also dated from the 10th century. Parallels are also possible with other brocades from Eastern sources. We can therefore deduce that the motif of the Esztergom fresco comes from a Byzantine silk." - Living History Market

"Reconstructions of this pattern are often stylized with medallions, framed by split palmettes and beading, enclosing an imposing lion and stylized trees. The interstices between the medallions are filled with large composite rosettes." - Kazar Bazar

Full Backstory

Having descended from a long line of līmitāneī, Latin-speaking part-time farmer-soldiers along the farmlands of the borders of the empire, Nicasia’s father sought opportunity to change the family’s station in life and leave their humble home. Opportunity to change social status being limited to joining the church, army, or imperial bureaucracy; Nicasia’s father left the farm to join the professional Byzantine army serving Emperor Justinian I, sending Nicasia and her mother to the city of Constantinople to keep them safe from the dangerous territories of the empire’s borders. Nicasia’s mother began trade in the capital via weaving and garment-making. Their move to the capitol required the family to learn the city's Greek language. 

Education for women was very limited at the time. Nicasia was educated in the family home learning the family trade of spinning and weaving in addition to studying the Orthodox Bible and the lives of the saints in Latin from her mother as well as in Greek from her neighbors, being fortunate to develop reading literacy in both languages in her youth. Nicasia’s father was able to make better pay as a professional soldier and trained in multiple techniques of swordsmanship from his various expeditions in the army which he taught to his daughter when he visited his new home in the capital. Nicasia’s home education consisting of reading and swordsmanship made for a very unorthodox upbringing compared to her female peers. As a result of her education, and contrary to what was custom at the time, Nicasia was fortunate to not be married as young as 12 years of age seeing as she was deemed to be too rebellious of a future wife for a local boy to take on.

In 542 AD, a wave of the Plague of Justinian passed through Constantinople, taking Nicasia’s mother with it. Nicasia was alone in the capital at only 14 years of age. Concern for her well-being was discussed by neighbours. The topic of marriage was reexamined as she was without a parent present at home, though her unorthodox education continued to conflict with uxorial norms. Nicasia’s father resolved to taking Nicasia out of the capital, retiring from the army to mourn his late wife and spend quality time with his daughter before the day he too would join the Kingdom of Heaven. While grateful his daughter was fortunate to live in the capital during the massive legal reforms for women under the rule of the emperor and empress regnant, he wanted Nicasia to have a better understanding of the world outside of her home in the city that had been shaped by the arson and violence from the riots between the Greens and the Blues, the tensions between the Monophysites and the Oriental Orthodox and Chalcedonian Churches, and the civil destruction that the buboes left in its wake. So, he opted to take her traveling through their known world for what would become the next decade of their lives. During their travels, Nicasia’s father continued his instruction with her on various forms of swordsmanship and weaponry, ensuring to integrate regional variations with every new territory they visited.

On their travels, Nicasia’s father befriended two monks of the Nestorian Church (Church of the East) who were spreading the word of Christianity in India. The monks were impressed with Nicasia’s Christian education of the time, disagreements of Christ's nature(s) from their books aside, and with the endorsement from her father was also able to facilitate a friendship with the monks. The four opted to travel to China next in about 551 AD where they were all surprised to learn the intricate methods of raising silkworms and how the production of silk was conducted. They were especially surprised about where they found this information as it had been believed that silk was made in India. Silk was a highly desirable textile in Byzantium and had become difficult to acquire in that area of the world as a result of the rise of the Sassanid Empire and the Roman-Persian Wars. Importing silk had become very expensive, and the Persians would suspend trade in their territory during times of war. Unlike his noble peers of the Scholae Palatinae or the Excubitores of the Imperial Guard who were limited to civilian missions inside of the empire, Nicasia’s father had been sent out on several expeditions with the professional army under Justinian’s orders to create alternative trade routes for silk to Sogdiana as well as to Crimea and Ethiopia in an effort to work around the limited success of silk importation, all to no avail. Seeing the production of silk in China, Nicasia suggested to her father that they had a unique opportunity to bring silk-making directly into Byzantium without relying on imported goods, possibly having a family business in brocaded textiles in Constantinople itself and raising the family’s social status further.

After much discussion, Nicasia, her father, and the monks agreed to travel together back to Constantinople to tell Emperor Justinian of the opportunity to develop this textile within the empire itself. They returned to the capital in 552 AD and told the emperor of the cultivation of silkworms and the processes of making, dying, and weaving the textile. The life of the silkworm was too short to be carried such a long distance, though it would be possible to transport the eggs if kept dormant in straw and dung. When hatched, the silkworms could thrive on the mulberry leaves, the sole source of nutrition for silkworms, of Europe just as well as they did in China. The emperor offered great rewards for the procuration of silkworm eggs to be brought back to Constantinople. It was decided that the silkworm eggs could be smuggled into the empire inside of the monk’s bamboo canes with Nicasia and her father accompanying the monks for safe passage through this expedition. Their journey took them along the Black Sea and through the Transcaucasus and the Caspian Sea. Only just after procuring the silkworm eggs in China about a year into their journey, Nicasia’s father passed away. Nicasia ensured the safety of the monks and silkworm eggs as they finished their journey back to Constantinople, taking about another year’s time.

Upon arrival at the emperor’s court, Nicasia and the monks revealed the silkworm eggs from their journey to Justinian. They discussed the wealth and occupational changes that awaited the empire, which the emperor defined as a pivotal step for the “Roman Empire to further mirror the Kingdom of Heaven on Earth." Justinian presented the long-awaited awards. Nicasia’s father was posthumously awarded noble status and ranking of honorary candidatus, one of 40 men selected from the Scholae Palatinae to serve as the Emperor’s bodyguard. Nicasia too was awarded noble status. The late empress’ interest in expanding women’s restrictive professional outlets outside of theaters and brothels (the only occupations outside of “work-from-home-and-raise-a-family” jobs, such as weaving, innkeeping, or baking at that time) brought Justinian to award Nicasia the role of overseeing the supply of silkworms and methods of silk-making to what would eventually lead to the occupations of the serikarioi, katartarioi, myrepsoi, Rūmī, and gynaikeion - the silkfarmers, dyers, weavers, and traders of Byzantium - across the eastern Mediterranean. Nicasia's businesses would eventually create and supply much of the noble population with the intricate and in-demand hand-crafted textiles. This award tested a woman’s ability to work publicly outside the traditional family home and earn true income. Nicasia proved herself to be quite the businesswoman. Her many brocaded textiles in her wardrobe would reflect her noble status in addition to advertising her role in her line of work throughout the Mediterranean. Sumptuary laws were modified to permit Nicasia the opportunity to wear detailing dyed the imperial purple when conducting silk business on behalf of the emperor, though she always ensured his regency would be supplied with the finest of the brocaded silk. Nicasia’s success had improved prospective matches for marriage, and her children followed in her footsteps to further develop what would become the family business. As the work carried on in each generation, these silk factories eventually lost China and Persia their monopoly on the silk trade as overland silk trading had become far less important. Following the reign of Justinian I, the trade of overseeing the manufacturing and selling of silk had become an imperial monopoly, only to be sold to authorized buyers in the noble class.

Images and Descriptions of Byzantine Silk History

Silk Cultivation in China

"The process of making silk from Sericulture by Liang Kai, Southern Song dynasty, c. 13th century"

Industrial Espionage

It is believed that provision of silkworm eggs by the Nestorian monks to Justinian I is the first documented case of industrial espionage "which is frustratingly glossed over by Procopius in his history." 

Life Cycle of the Bombyx mori

Eggs, silkworm (larva), pupa (cocoon), and domestic silk moth on a mulberry leaf.

Engravings Depicting the Story of Silk

The first 6 images show plate engravings from "The Introduction of the Silkworm," or "Vermis Sericus," depicting the metamorphosis of a silkworm, Justinian I receiving the silkworm eggs from the Nestorian Monks, the incubation of silkworms, women working with silkworm eggs and sheets of silk thread, the gathering of mulberry leaves and feeding the silkworms, and the reeling of silk. Published in 1595.

The 7th image shows the eighth plate engraving titled "The Production of Silk" from a series titled "New Inventions of Modern Times," or "Nova Reperta." Published in 1600. 


Educational Trading Card

The first image above is an educational training card, or Liebig Soup Card, from the Liebig Company advertising extract. A set of 6 cards would come with every bottle. This image is the fourth of six from a series on silk. On this card, two monks present the first silk cocoons to Emperor Justinian I in Constantinople. This card was issued in the late 19th/early 20th century. One particular detail to be noted is that, based on dress and closeness to the emperor, Empress Theodora is depicted next to Justinian. This depiction is inaccurate knowing that the empress died in 548 AD and that the emperor had sent the monks out to acquire silkworms in 552 AD. 

The other images are from the same series depicting some history of silk in China, India, Rome, Israel, and France as well as the metamorphoses of the silkworm in the corner of each card. 

Liebig has MANY collectible cards showing the history of silk outside of this collection in addition to other historical and natural topics. 

Justinian I

A close-up of young Justinian I from his mosaic in the Basilica of San Vitale in Ravenna, Italy (ca. 547 AD). Justinian's wife Theodora also has her own large mosaic piece in the same Basilica. Her mosaic can be seen on Nicasia's Byzantine Styles and History page. 

A close-up of older Justinian I from Sant'Apollinare Nuovo Basilica in Ravenna, Italy (originally an Arian church in 500 then renovated by its Catholic administration ca. 560 AD to remove Arian images). 

Justinian died in 565 AD of natural causes at 83 years of age, having reigned since the death of his uncle Justin in 527 AD. 

The persona of Nicasia would have been born the year of Justinian's ascension to the throne and, having grown up primarily in the capital, would have seen him age during his reign through his public appearances. Nicasia would have met him just short of 15 years prior to his death when bringing news of silk production to the Byzantine emperor alongside the Nestorian monks. 


The mosaic of older Justinian does not appear to be set into the walls of the basilica the same way the mosaic of young Justinian is, and is certainly nowhere near as large. The world wide web does not clearly discuss when this mosaic was completed, nor whether this mosaic was part of the original renovation in 560 AD or added later.